BIO
Andreas holds a BA and an MA from the Athens School of Fine Arts, where he specialised in painting and photography. His journey into bookbinding started in 2017 during a student exchange program in Paris, where he studied printmaking. Following his studies, he undertook a full-time course in traditional bookbinding through the Queen’s Bindery Apprenticeship Scheme, successfully earning City & Guilds Level 1, 2, and 3 qualifications in bookbinding. After completing the apprenticeship, Andreas joined the Royal Bindery at Windsor Castle as a book conservator – bookbinder.
In his free time, he creates design bindings for private collectors and runs a small online shop featuring handmade products. Some of his most recent design work is currently on display at Windsor Castle for the Dolls’ House centenary. His other interests include specialty coffee, chess and cybersecurity.
White Noise by Don DeLillo
Viking, New York, 1985
First Edition/First Printing
Bound in February 2020
National Library of Scotland



Full leather binding sewn on 4 linen tapes with linen thread. Fine goatskin, scarf joint Harmatan beige and chocolate; leather onlays; gold and blind tooling, white foil; single endbands sewn with white and gold polyester thread; black airbrushed edges; laced-on made boards; handmade white paste-paper endleaves with sprinkled gold. Housed in a white velvet lined buckram drop back box.
The book explores the materiality of our world, highlighting how consumerism distracts us from the fear of death—until events inevitably force us to confront reality. The design features two cemeteries: one for humans and one for appliances. Surrounded by the “white noise” of our material existence, we often lose sight of what truly matters and forget the inevitable destination of all things.
Of Mice and Men by John Steinbeck
Folio Society, 201
Illustrated by James Albon
Bound in February 2021



Full leather binding sewn on 4 linen tapes with linen thread. Fine grey goatskin from Harmatan; leather onlays; gold and blind tooling; double core endbands sewn with polyester thread; graphite edge decoration; leather joints; grey suede flyleaves and handmade paste papers; Housed in a canvas drop-back box lined with linen pads.
The book features grey suede areas, reflecting Lennie’s love for petting soft, furry animals. The cover design incorporates concentric circles, reminiscent of ripples created by a water drop. The centre symbolises Lennie’s innocence and fixation, which ultimately triggers the chain of events leading to the story’s tragic conclusion. Two lines represent the fields of land and human flesh—elements destined to converge. When they do, all dreams dissipate, like stardust.
GET IN TOUCH
Email: andmaroulis@gmail.com
Website: www.booksandcentaurs.com
Facebook: Books and Centaurs
Instagram: @andreas_maroulis
Accepts Commissions: No



